Archives for posts with tag: Beasts of No Nation

 

I felt that familiar rush of endorphins which happens in my brain when I speak about the genius of the legendary Fela Anikulapo Kuti. Had Netflix outsmarted the competition completely  and launched its first movie about the life of one of the greatest musicians of all time?

My face flushed in anticipation. I was about to watch the trailer of “Beast of No Nation” directed by  Joji Fukunaga. I was thrilled. How might Fukunaga tell some of the  complex human and the socio-political stories which Fela vocalised in his lyrics?

Stories of lives in a  society struggling to shape its identity whilst  caught in the clutches of a  corrupt government. Narratives of a country full of  promise, watching its citizens wallow in poverty, violence and fear? And of course the personal stories of highs and lows, of  overwhelming sacrifice and individual loss ?

As I watched the trailer, it dawned on me. Beasts of No Nation is a  great film with some exceptional performances. It tells the story of  militant overlords  and child solders caught up in conflict zones in West Africa.

Nonetheless,  it brought back memories of the original Beasts of No Nation (BONN), one of my favourite Fela albums,  released in 1989 in protest at the  injustice of the apartheid regime in South Africa.

Typical of Fela`s style, the front cover itself  is evocative, with superb caricatures of  Ronald Regan, Margaret Thatcher and of course the notorious P.W Botha.

BONN then and now remains a  compelling track. It  encapsulates the storytelling prowess which Fela was capable of in his songs. I recalled the brilliance of Fela`s imagery. His superb lyrical skill at drawing together so many different threads in his narratives.  His sometimes subtle yet striking juxtaposition of literal and metaphorical connotations and characters.

In BONN like most of his songs, and indeed in  the expression of his life, Fela was in a state of direct protest against all forms of political and personal injustice. He talked about himself.  He talked about Nigeria. He talked about the world in which he lived.

Wherever  injustice had been sown, Fela would  weed it out with his lyrics and  his masterful musical style. He was one of the only artists brave enough to do it. Fela was fearless.

He  openly made a mockery of  the antics of failed governments and political leaders  who were corrupt, cruel and  completely oblivious to the suffering of the Nigerian masses.

In BONN, it was to ridicule the military generals who had sent him to prison, P.W Botha and his blatant atrocities towards the black underclass in South Africa and the United Nations who looked on at the evil of Apartheid.


As many powerful nations pretended that apartheid was acceptable, Fela wanted his voice to ring out in dissent.

In 1986, Botha was famously quoted as saying, “This uprising will bring out the beast in us”.  Beasts of No Nation echoes these words. Fela cleverly plays on and develops this  metaphor of the “beast”.

BONN is Fela’s incisive retort to Botha`s arrogant sense of his own superiority and his belief that the cruelty of apartheid would continue unchanged . It was also a direct response to the insensitivity of the military regime led by General Idiagbon.

In BONN Fela says:
MANY LEADERS AS YOU SEE DEM
NA DIFFERENT DISGUISE DEM DEY-OH
ANIMALS IN HUMAN SKIN
ANIMAL-I PUT-U TIE-OH
ANIMAL-I WEAR AGBADA
ANIMAL-I PUT-U SUIT-U

These words  unpeel the layers of  the metaphorical “beasts”. In  almost 28 minutes of lyrical content, Fela  paints a poignant picture of  the inhuman attributes of  leaders deaf  to the cries  and insensitive to the voices which rage around them.

With their countries in chaos and disarray, leaders like Botha and the military regime in Nigeria were really beasts of no nation;   human  on the outside but lacking the  compassion which qualifies them as human.

They are non leaders. Callous and unfeeling. In them are exemplified the worst aspects of humanity.

I miss Fela`s voice.

I miss his compassion for the underdog. I miss his courage and  strength of purpose.  Two decades on, we only need to look around the world to see the relevance and prophecy of his words. The world it  seems is almost overrun  by a pack of maurauding “Beasts of No Nation”.

Leaders  full of  lies and acts which divide societies, leaders  who preach sermons of bigotry and genocide. In their cruel actions they embody the very essence of Fela`s metaphor of the troglodytes in BONN .

I am glad I  was baptised in Fela`s special brand of humanity all those years ago in Pepple Street.   I am  moved to action- no jonesing here-exactly as Fela would have wanted.

 

 

Fela-NPR010715 abami

“Beasts of No Nation, egbe kegbe  na bad society, beast of no nation oturu gbeke…..”

 

For some reason I had heard nothing about this Netflix event that everyone had apparently been waiting on; the film  premiere of ” Beast of No Nation” directed by Cary Joji Fukunaga.

Naturally, my face flushed with expectation the minute I read the title: Beasts Of No Nation (BONN).I felt that familiar warmth which happens to my brain whenever I speak about, dance or listen to the music of  the great Fela Anikulapo Kuti. Had Netflix  outsmarted the competition completely and decided to launch its first movie about one of the greatest musicians of my generation?   These guys got game for real!

images (2) netflix
And It all made perfect sense.The launch of  Fukunaga`s Beasts Of No Nation was slated for the 16th of October. October is Felabaration month. Now in its 18th year, Felabaration  is a yearly music festival at the  new African Shrine in Lagos which brings Fela apostles and  lovers of Afrobeat  together in an intensely spiritual celebration  of a musical maesro and a deeply concious human being.

World Music - Fela Kuti - Lagos - #uj_0114

If Netflix was sharp enough to ride the Fela wave, kudos to them. I was thrilled to be a witness to see how a director might tell both the human and the socio-political stories which Fela vocalised in his political lyrics. Stories of lives in a  society struggling to shape its identity amid corrupt public officials, insane corruption and  a global hierarchy which was only concerned with its own survival.

Alas, as I read teasers and watched the trailer for Joji  Fukunaga`s Beasts of No Nation, a forced acceptance dawned on me and  the applause began to dim.

BONN it is, only in title.
No Fela. No Egypt 80.
No dancers of beautiful vibrant ebony.
No Pepple street.
No lanterns on wooden tables selling many things  for the head.
No Reagan.
No Thatcher.
Not even a Botha lookalike!

So second base jare.
In BONN like most of his songs,  Fela was in a state of direct protest; making a mockery of failed governments and political leaders both within Nigeria and internationally  who were  not just corrupt but cruel and completely oblivious to the suffering of their people.

cropped-beastsofnonation9.jpg

One such leader  was  P.W. Botha – president of South Africa who in 1986 was famously quoted as saying, “This uprising will bring out the beast in us”, in reference to the U.S  introduction of  the Comprehensive Anti-Apartheid Act.

Fela was fearless. As many nations across the world pretended that aparthied was acceptable, Fela  wanted his voice to ring out clearly at the continued cruelty of  Botha`s brutish and arrogant reaffirmation  that the apartheid system would continue unchanged.

In BONN Fela says:
MANY LEADERS AS YOU SEE DEM
NA DIFFERENT DISGUISE DEM DEY-OH
ANIMALS IN HUMAN SKIN
ANIMAL-I PUT-U TIE-OH
ANIMAL-I WEAR AGBADA
ANIMAL-I PUT-U SUIT-U
 

These words continue to unpeel the layers of  the “beast” , espousing the inhuman attributes of  many leaders who simply are deaf to the voices of the people they govern. He develops  the metaphor  further suggesting  that there are many  leaders who look human on the outside in their suits and fancy  clothes but lack the compassion which qualifies them as human. With their nations in chaos and dissary, these leaders disguised as humans are  really beasts of no nation consumed with an overwhelming sense of their own importance and  a distinct lack of sensitivity and disregard for anyone or anything else. 

Growing up in Nigeria,  listening to these songs was instrumental.  Watching Fela perform live at the Kalakuta Republic at Pepple street was an experience to be repeated over and over again.  It was a deep sizzle of  intensly stirring  rhythms, politically charged lyrics,  an ambiance created by an unleashing of all inhibitions and a journey  somewhere quite extraordinary. Fela inspired me to think outside the box. He inspired me to understand that the process of political agitation to challenge injustice and raise issues of social change in society is a responsibility for every citizen.

Watching his travails and his cruel mistreatment at the hands of  government allowed me to understand that not all of us can be brave and openly fearless in challenging  the wrongs in society. However,  to those who do so at great risk, the rest of us must graciously acknowledge and give revered respect where it is due.

download (1) fela



I remember cutting everything I could find in the newspapers when Fela passed on. And I can safely say the streets of Lagos have not seen such an outpouring of respect  and grief in such numbers for any man dead or alive since then.

Warts and all, Fela was human, a poet whose lyrics even now continue that metaphoric resonance. 26 years after these words were first written, they seem almost prophetic as we watch on a grand stage the tragic consequences of having leaders who are beasts of no nation. 

The beauty of Fela for me is in the freshness of his message, the genius of his music and the truth which he refused to be quiet about. As I sing along to BONN and stomp my whole body in response,  I am still moved to action- no jonesing here-exactly as Fela would have wanted his audience to be.

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